A series of installations in a museum in Hungary about the Vampire myth and its connection to greater Hungary.

A five day performance in Belgium about the Congo.

A video work of a pig slaughter by some farmers in Portugal. It is an activity hundreds if not thousands of years old.

A pair of videos set in Riga, Latvia, about the new and old generations, those who remember the Communist regime and those too young to remember.

Performed at Croxhapox, Belgium, I drank a bottle of Dom Perignon while a statistical analysis of the equivalent of the cost of each sip to food and labour in Africa flashed behind me.

An ambitious collaborative work involving sound, video and sculptural frames dedicated to early twentieth-century experimental modernism and the Bauhaus.

A video work about the late Peter Sculthorpe. It is a work based on the simplicity and intensity of engagement.

A series of interconnected installations across the entire gallery spaces dealing with fatherhood and the vulnerability of children.

A suite of drawings dedicated to the deforestation in Tasmania.

A "physiognomy of a house" of a house where the two children of the owner hanged themselves.

A work in collaboration with Peter Sculthorpe based around his Requiem for Cello Alone looking at the non-picturesque aspects of Paris.

A Collaborative piece with Peter Sculthorpe with footage of the spoliated wastelands of the Tasmanian forests and of Queenstown.

A series of photographs of old men in some of the most famous and pleasant parks of Paris. The works are both about sympathetic observation but they are also metaphors of the passing of an older age and a melancholy forgetting.

A magician produces a dove in a variety of ways. The slow-motion reveals how it is done.

A short narrative video piece set in Finland about a janitor of a school who accidentally dies in the dead of winter, a fairly common story in this part of the world.

A boy plays air guitar at home dubbed to the sound of a soprano singing.

A collaborative exhibition with Mike Parr (Geczy/Parr) at the Art Gallery of NSW about the present state of neoconservatism and militarism. The title is an amalgam of the famous work by Wilhelm Reich and the famous ditty from the 1946 Disney film, Song of the South, with all its questionably racist overtones.

An exhibition about social division and the insidiousness of nationalism.

A collaborative Geczy/Parr work based on Mike Parr's performance Democratic Torture at Artspace, Sydney, in 2003.

A work commemorating weightlessness and mourning.